Tragikomické podobenstvo o nemožnosti kompromisu so zlom, o slabosti, strachu, nevedomosti a hlúposti ako živnej pôde pre hlásateľov násilia. Komorný príbeh jednoduchého stolára, ktorému jeho švagor, miestny veliteľ Hlinkovej gardy, prihrá skrachovanú židovskú galantériu, aby mu nenarúšal kádrový profil. Jednoduchý stolár Tóno Brtko sa ocitá medzi dvoma svetmi – čistým, nedotknuteľným svetom starej nahluchlej Židovky a svetom reality, symbolizovanej nezmyselnou drevenou Babylonskou vežou na námestí, oslavujúcou vládnuci režim. Brtko svoje previnenie zastiera, uteká pred ním. Neodolal naivnej vidine zbohatnutia, ale chce zostať poctivým človekom. Je ním až do chvíle, kedy v opojnom záchvate strachu z fašistov aj zo svojho svedomia nakoniec spôsobí tragédiu.

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Antonin Tono Brtko is a poor carpenter appointed by his Nazi brother-in-law to be 'Aryan controller' of an old Jewish widow s sewing shop in a Nazi-occupied Slovakian town in 1942. The widow, Rozalie (Yiddish theatre legend Idá Kaminská, nominated here for a Best Actress Oscar® for her performance) is near deaf, isolated and partially sighted. Barely even registering there is a war going on, she fails to fully realize the implications of the context in which she lives. Believing Tono is simply her new assistant, the two develop a tentative friendship that sees him maintaining that fiction as he attempts to protect her from the encroaching Nazi horror.

Moving effortlessly from drama to humour to tragedy, THE SHOP ON THE HIGH STREET is a complex political morality tale of common lives disturbed and destroyed by war. A story of loyalty, betrayal, cowardice and heroism, it is a scathing exploration of how minor compromises can lead to complicity in the horrors of a totalitarian regime. It asks every spectator: 'If it had been you, what would you have done?'

Bonusy:
— DIGITÁLNE REŠTAUROVANÝ FILM
— BOOKLET
— KRÁTKE FILMY Jána Kadára :
Sú osobne zodpovední za zločiny proti ľudskosti
Sú osobne zodpovední za zradu na národnom povstaní
— ROZHOVORY
Stanislava Přádná, Elmar Kloss, Václav Macek, Egon Gál